Saturday 17 September 2011

Sex and the City and Sex and the City 2


Sex and the City


Set four years after the events of the series finale, the film begins with a montage of Carrie (Sarah Jessica Parker), Samantha (Kim Cattrall), Charlotte (Kristin Davis) and Miranda (Cynthia Nixon) walking through New York and a recap of what happened in the TV series as well as what happened between the season six finale and the film. It then jumps to Carrie and Big (Chris Noth) viewing apartments with the intention of moving in together. Carrie falls in love with a penthouse suite far from their price range, which Big immediately agrees to pay for. However, Carrie experiences doubts over the wisdom of this arrangement, explaining that they are not married, and as such she would have no legal rights to their home in the event of a separation. She offers to sell her own apartment, and quelling her fears, Big suggests that they get married.

Samantha (Kim Cattrall) has relocated her business to Los Angeles to be close to Smith (Jason Lewis), who is now a prime-time television star. She finds her five-year-old relationship humdrum and yearns for her old life—especially after witnessing the public sexcapades of Dante, the hot new neighbor. She takes every opportunity to fly East to be with the other girls.

Miranda (Cynthia Nixon) finds that balancing her home, work, and social life ever the more difficult, and confesses to the girls that she hasn’t had sex with Steve (David Eigenberg) in six months. She is devastated when Steve reveals he has slept with another woman, and immediately separates from him.

After an argument with Steve at the rehearsal dinner, Miranda, still upset about Steve's indiscretion, tells Big bluntly that he and Carrie are crazy to be getting married, as marriage ruins everything. On the day of the ceremony, Big cannot go through with it, but repeated attempts to telephone Carrie fail. A devastated Carrie flees the wedding. Big changes his mind and intercepts Carrie as he sees her limousine drive away. Carrie, humiliated and betrayed, furiously attacks Big with her bouquet while he earns scathing looks from Miranda and Charlotte. The four women subsequently take the honeymoon that Carrie had booked to Mexico, where they de-stress and collect themselves.

Upon her return to New York, Carrie hires an assistant, Louise (Jennifer Hudson), to help her move back into her old apartment and manage her administration. Charlotte learns she is pregnant after a visit to her doctor. Miranda eventually confesses to Carrie about what happened during the night of the rehearsal dinner, and the two have a brief falling out. After reflecting on the argument she had with Carrie, Miranda agrees to attend couples counseling with Steve, and they are eventually able to reconcile. Samantha begins over-eating to keep from cheating on Smith with Dante, but eventually realizes that their relationship is simply not working, and that she needs to put herself first. The two break up, and she moves back to New York. Charlotte for several months is concerned that something might happen to the baby, because she feels her life seems to be too perfect.

A surprise encounter with Big at a restaurant leaves Charlotte so outraged that she goes into labor. Big drives her to the hospital, and waits until baby Rose is born, hoping to see Carrie. Harry passes on the message that Big would like her to call him, and that he has written to her frequently, but never received a reply. Carrie searches her correspondence, before realizing that Louise has kept his e-mails password-protected from her, after Carrie earlier announced she wished to sever all communication with him. She finds that he has sent her dozens of letters copied from the book she showed him in the weeks before their wedding, Love Letters of Great Men, Vol. 1, culminating with one of his own where he apologizes for screwing it up and promises to love her forever.

One hour before the locks are due to be changed on their shared penthouse apartment, Carrie travels to the home Big had bought for them to collect a pair of blue Manolo Blahnik shoes she had left there. She finds Big in the walk-in closet he had built for her, and the moment she sees him, her anger at his betrayal dissipates. She runs into his arms and they share a passionate kiss. After they have spent the final hour in their apartment together making up, talking and apologizing to one another, Big proposes to Carrie properly, using one of her diamond-encrusted shoes in place of a ring. They later marry alone, in a simple wedding in New York City Hall, with Carrie dressed in the original dress she had bought in a vintage shop and the blue Manolos. After Big kisses the bride, he whispers into her ear "Ever thine. Ever mine. Ever ours," a line by Ludwig van Beethoven Carrie read to him from Love Letters of Great Men, Vol. 1 earlier in the film. They hold a get-together at a local diner with their friends. The film ends with the four women around a table in a restaurant, sipping cosmopolitans, and celebrating Samantha's fiftieth birthday, with Carrie making a toast to the next fifty.


Sex and the City 2

Set two years after the first film, the film begins with Carrie (Sarah Jessica Parker), Samantha (Kim Cattrall), Charlotte (Kristin Davis) and Miranda (Cynthia Nixon) meeting up with each other at a shop in New York which turns into a flashback to how Carrie arrived in New York City in 1986, then met Charlotte in 1987, Miranda in 1988 and finally Samantha in 1989.

The film then jumps to the present, two years after the events of the first film. At the Connecticut same-sex wedding of Stanford Blatch (Willie Garson) and Anthony Marentino (Mario Cantone), Liza Minnelli appears to officiate the wedding vows and sings Beyoncé's "Single Ladies (Put a Ring on It)".

The four friends now have lives that are more stressful than before: All are married except Samantha, who is now 52 and trying to keep her libido alive with hormones while dealing with menopause. Miranda quits her job after the new managing partner disrespects her once too often. Charlotte's two children are a handful and she's worried that Harry is attracted to their buxom Irish nanny, Erin (Alice Eve).

Carrie's marriage to Mr. Big (Chris Noth) has settled down, though they differ on how to spend their spare time: she loves to go out, he would prefer to stay home every night, eating take-out meals and watching television. For their anniversary, Carrie gives Mr. Big a vintage Rolex watch engraved with a romantic message, while he, much to her dismay, shows her a new television in their bedroom as his gift, which Big says they can use to watch old movies together as they did on vacation. Carrie is disappointed, as she had hoped for jewelry as a gift. She asks to spend some personal time alone in her old apartment, but Big enjoys the time to himself even more than she does, and to Carrie's dismay, asks to make it a weekly occurrence.
Meanwhile, Samantha has been approached by an Arab sheikh to devise a PR campaign for his business. He offers to fly her and her friends on an all-expenses-paid luxury vacation to Abu Dhabi. The girls happily accept, although Carrie is worried about the separation from Big and Charlotte is worried about leaving her husband alone with the nanny. Only Miranda, unfettered by a job for the first time in her life, plunges enthusiastically into studying Arabic and planning sightseeing.

Upon entering Abu Dhabi, Samantha's hormone-enhancing drugs are confiscated under UAE law. This renders her devoid of estrogen; to her great dismay, her famous libido goes dead, unaroused even by Australian men in Speedo swimwear. Charlotte tries to call Harry every few minutes. Miranda revels in the luxury surrounding her, while Carrie befriends her manservant, Gaurau (Raza Jaffrey), and learns of his long distance marriage - he can only afford to see his wife back in India once every three months.

While out shopping at the local souk with Miranda, Carrie runs into her former lover, Aidan (John Corbett). He proposes dinner à deux at his hotel, but she is noncommittal. The next day, however, she is crushed at reading a negative critique of her new book in The New Yorker, and decides to meet Aidan for dinner, although Charlotte cautions her not to play with fire. The dinner is very enjoyable, with the two discussing old times. Aidan remarks on the ways Carrie is "not like other women", pointing out that when they were engaged, she would only wear her engagement ring on a chain around her neck; now that she's married, she still isn't wearing a diamond on her ring finger, only her wedding ring. In a moment of remembered passion, they kiss. Carrie runs away in a panic and returns to the hotel.

Meanwhile, back at the hotel, Miranda and Charlotte have drinks together and discuss the difficulties of motherhood. Miranda admits painfully that being a mother is not enough for her and that she misses her job. Charlotte confesses her guilt at enjoying her time away from her daughters and her frustration with trying to be the perfect mother at all times. She drinks so many cocktails to bolster her courage to be honest with Miranda that she becomes very tipsy.

At this point, Carrie bursts into the room, crying, "I played with fire!". After summoning Samantha, she tells her friends about the kiss, and asks them whether or not she should tell Big, as she says they have no secrets between them. Miranda reflects on the events of the previous film, when her husband, Steve (David Eigenberg), told her about his affair and how in retrospect, while it helped clear his conscience, she is not sure that knowing was worth the pain she went through. Charlotte is too drunk to be any help, but Carrie already knows where she stands. Samantha counsels Carrie to wait and sleep on it before deciding anything.
Carrie opts to call Big from Abu Dhabi to tell him. Previously, in the television series, Carrie had had an affair with Big, who was then married to Natasha, while dating Aidan, which subsequently caused both couples to break up. Big is silent upon hearing the news, and after saying a few words, hangs up.
The four women find their style and Western attitudes contrast with Muslim customs, with Samantha facing the most conflict. While on a date with Rikard (Max Ryan), a handsome Dane, Samantha is arrested for public indecency after fondling him at a restaurant and making out with him on the beach (she claims they were just kissing). With the Sheikh's intervention, Samantha is released, but is left with a permanent police record. Worse, due to her display of disrespect for local custom, the Sheikh cancels the PR meeting and ceases paying for the women's luxurious perks.

They quickly pack their bags and leave, but must return to the souk to find Carrie's passport, where Charlotte is nearly detained by some overenthusiastic traders in illegal watches. When Samantha's flamboyance nearly incites a riot, the girls are rescued by a group of Muslim women who share their sense of style under their black robes.

When Carrie returns home, she finds the bedroom television removed and Big gone. She passes an anxious day, at the end of which he returns. Big tells her that although he was "pretty torn up", he realizes that she is "a rookie at this marriage thing", and that what she needs is something to remind her at all times that she is married. He hands her a jewelry box which reveals an engagement-style ring set with a black diamond. When Carrie asks him why a black diamond, he says, "Because you're not like anyone else", echoing Aidan's earlier comment.

The movie ends with a few scenes showing the problems the women faced at the beginning of the film being resolved. Big and Carrie combine their interests. Charlotte's nanny, Erin, turns out to be a lesbian and is no threat to her marriage. Miranda finds a new job where she is appreciated, and Samantha stays the same. In the final scene, Big and Carrie are watching an old black-and-white movie (The Talk of the Town) where 'The End' appears on the TV screen.

Friday 16 September 2011

New York Fashion Week: celebrities in the spring/summer 2012 front rows

Mulai dari penyanyi, aktris, sampai model, all want a piece of the front row action this season. Dan diantara gemerlapnya perhelatan “New York Fashion Week”, para selebritis yang hadir pun nggak kalah tampil stylish dengan balutan desainer Rebecca Taylor, leather gloves, shift dress, Jenny Packham jacket hingga Miu Miu booties...






15 Cool and Unusual Notebooks

Hobi ngoleksi notebooks lucu dengan bentuk yang unik? Kalo gitu kalian mesti liat What’s Up yang satu ini! This post showcases creative notepads, sketchbooks, and notebooks.





Wednesday 14 September 2011

Anne Hathaway is the new face of Tod's



Good news buat kamu yang ngefans sama Anne Hathaway, karena aktris yang terkenal dari film The Devil Wears Prada ini resmi menjadi ‘the new face of TOD’s collection’. Anna dikabarkan terpilih untuk memamerkan ‘Signature collection'.

Masih inget dong gimana serunya ketika Anne terpilih menjadi presenter Oscar, dan harus mengganti kostumnya hingga 8 kali! Mulai dari Valentino, Givenchy, Oscar de la Renta, Versace, Armani Prive, Tom Ford, Vivienne Westwood, sampai Lanvin tuxedo, yang kesemuanya dipilih oleh Rachel Zoe.

Nah, bocorannya Anne dipilh oleh Tod’s karena sesuai dengan ‘soul’ koleksi tas terbarunya ini, yang memang dibuat untuk para anak muda.

Seperti yang dikatakan Tod's Creative Director; Derek Lam, "What makes this collaboration with Anne so perfect is that not only is she a young actress with accomplished roles to her credit, she is also one to watch for her creative choices. She generates excitement based on the quality of her work, modern beauty and intelligence.

Untuk ad campaign-nya, Tod’s baru akan melaunchingnya pada bulan Oktober mendatang, dimana Anne berkesempatan bekerjasama dengan duo fotografer, Mert Alas & Marcus Piggott. Sedangkan untuk konsepnya, ternyata iklan ini sangat terinsipirasi dari fotografer Guy Bourdin. Bentuk dan warna tasnya pun sangat wearable ya untuk dipakai sehari-hari, yang mana juga terinspirasi dari Bourdin dan Andy Warhol ! Tod’s menyebut tas ini dengan panggilan "strong, decisive tones": deep red, black, electric blue, fuchsia , lavender, beige and cream.

"The designs are classic and the materials are of the highest quality. As a result, they don't grow older, they only grow better just like a woman," komentar Hathaway. Dan untuk international campaign debuts, iklan ini akan muncul di majalah fashion di seluruh dunia mulai Oktober 2011! Yap, and she looks stunning!


Sunday 11 September 2011

Some Enchanted Evening: The Kings and Queens of Iconic Prom Cinema


It's a dance, dance revolution! Danielle Nussbaum crowns the kings and queens of iconic prom cinema. 

Someone said:
My high school boyfriend wrote, “Will you go to prom with me?” in rose petals on my bedroom floor. I still have pictures and, believe it or not, the rose petals. I went to four proms and wore everything from cream silk (big mistake) to black velvet (bigger mistake), but I was guided by movies: They told me how cool the night could be, how cool it should be. The dress, the hair, the music, the limo, the theme . . . there’s a reason that prom is such a repeated trope in pop culture. It matters.
“It’s that one special moment when who you were for four years of high school—it ends right there,” says Aimee Teegarden, star of Disney’s Prom, this spring’s addition to the canon that shows a group of teens prepping for the big event. In real life, Aimee’s boyfriend created a scavenger hunt to ask her to be his date. “I wore a turquoise dress with spaghetti straps that I got for, like, $30,” she says. “His parents had a Suburban, and he played chauffeur. We watched Chappelle’s Show and then went stargazing.” 

Cheesy? A little. (“You have to just go with it,” Aimee says, laughing.) But the most memorable scenes require the suspension of disbelief: An entire formalwear-clad student body breaks into a perfectly synchronized dance (High School Musical). A social outcast wreaks horror havoc on her pranking peers (Carrie). And, dreamily, the awkward beauty gets rescued by her quirky BFF and ends up in the arms of her rich semi-boyfriend (Pretty in Pink). Reality? Not so much. But when we’re young, these films are a blueprint. Older, they’re pure nostalgia. 

Movie proms may not be real, but the experience is universal.